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Sotheby’s spring Evening Sale of Impressionist & Modern Art will be held in New York on 7 May 2014. It will include art by Monet and Matisse, Degas and Renoir. CLAUDE MONET IN THE GARDEN, BY THE SEA AND IN THE CITY The Evening Sale will offer three impressive canvases by Impressionist master Claude Monet, including  Le pont japonais which he painted at Giverny from 1918–24 (est. $12/18 million). Monet’s spectacular images of the Japanese bridge spanning the lily pond of his lush garden are among the most recognizable images of 20th century art. These pictures capture the mystique of the meticulously-landscaped environment that served as Monet’s inspiration during his later career. The present picture, which is one of the most richly painted in the series, can be seen in a photograph of the artist’s Giverny studio, where it hangs in completion among other notable examples of the artist’s late production. Monet’s Sur la falaise à Pourville – on offer from the Metropolitan Museum of A

Sotheby’s spring Evening Sale of Impressionist & Modern Art will be held in New York on 7 May 2014. It will offer an impressive selection of 14 works by Pablo Picasso, with examples reaching across his remarkable career – from an early drawing dated to 1900, through a late oil painting from 1969.  The group features  Tête de Marie- Thérèse from 1932,  a radiant example of his paintings depicting his beloved mistress of the early 1930s (est. $15/20 million). The present example may be counted among the most painterly and expressive of these pictures, created when Marie- Thérèse was firmly at the center of Picasso's artistic universe. Tête de Marie-Thérèse was part of Jacqueline Picasso’s private collection of paintings, drawings and sculptures that her late husband had bequeathed her. Jacqueline generously gifted this work to William Rubin, director of prestigious department of painting and sculpture at New York’s Museum of Modern Art. Le Sauvetage represents the largest and mo

This summer, Sotheby’s London will present a remarkable group of Flemish Old Master paintings from the Coppée Collection. Assembled by the Belgian industrialist Evence Coppée III (1882-1945) in the 1920s, this outstanding collection comprised almost exclusively 16th and 17th century works, with an emphasis on the works of Pieter Brueghel the Younger (1564-1637/8) and the Brueghel family. Of the paintings by Pieter Brueghel the Younger that Baron Coppée collected, three of the best will feature in the sale, including an imposing landscape with the Crucifixion, an Outdoor Wedding Dance, recognised as one of the most popular works in the artist’s oeuvre, and a splendidly evocative Winter Landscape. The selection also encompasses impressive paintings resulting from a collaboration between Jan Brueghel the Younger and artists such as Frans Francken the Younger and Hendrik van Balen the Elder, as well as works from the North Netherlandish School and the School of Northern France. Passed o

The Baltimore Museum of Art organized a focus exhibition on one of the most influential American artists of the 20th century. Max Weber: Bringing Paris to New York presented nearly 40 paintings, prints, and drawings by Weber, Matisse, and other artists who influenced Weber to transform his painting style from traditional to avant-garde. On view March 3 – June 23, 2013, the exhibition included many works loaned by the estate of Max Weber and other public and private collections as well as major works by Weber and Matisse from the BMA’s collection. The exhibition was guest curated by Weber scholar Percy North, Professor of Art and Coordinator of Art History at Montgomery College in Rockville, Maryland, and Adjunct Professor of Liberal Studies at Georgetown University in Washington, D.C. Weber began his three-year sojourn in Paris in 1905, and his studies with Matisse and friendships with Pablo Picasso and Henri Rousseau inspired him to develop a personal style that evoked the energy, dy

In November, The Frick Collection will be first venue to present a touring group of masterpieces from the National Galleries of Scotland. The ten paintings to be featured in New York―among them a Botticelli never before on public view in the United States and John Singer Sargent’s iconic portrait of Lady Agnew―will travel on in 2015 with forty-five additional works to the de Young, Fine Arts Museums of San Francisco and the Kimbell Art Museum in Fort Worth, Texas . The tour brings to all three cities ten of the greatest paintings from the Scottish National Gallery, works that were chosen specifically to complement the permanent collections of the three American venues. The exhibitions in San Francisco and Fort Worth also draw upon the collections of the Scottish National Portrait Gallery and Scottish National Gallery of Modern Art, the three institutions that comprise the Edinburgh sites of the National Galleries of Scotland. The paintings on view at the Frick―from November 5, 2014, th

In the autumn of 2007 the Mauritshuis presented a large survey exhibition of one of the most fascinating phenomena in the history of Western art: Dutch seventeenth-century portraiture. Nowhere else were so many portraits painted of burghers from all walks of life. Amazingly, the last exhibition devoted to this subject took place more than 50 years ago. With approximately 60 masterpieces, the exhibition afforded a magisterial overview of seventeenth-century portraiture. The two grand masters of the genre are Rembrandt and Frans Hals, both of whom are represented by at least eight masterpieces each. In addition, one or more works by some 25 other masters were also on view. The number of talented painters in the Northern Netherlands in the seventeenth century was unparalleled. The exhibitionwas jointly organised with the National Gallery in London, where it was on view in the summer of 2007. The loans come from more than 30 different museums and private collections in Europe and the Unite

Albertina, Vienna, 14 March — 29 June 2014 The exhibit Dürer, Michelangelo, Rubens: The 100 Masterworks of the Albertina for the first time shows around 100 top-class masterpieces from the collection of the Albertina in the context of the chequered and exciting life story of its founders, Prince Albert of Saxony, Duke of Teschen and Archduchess Marie Christine. The large-scale presentation unites the highlights of the collection, from Michelangelo through Rembrandt and Rubens to Caspar David Friedrich. The centrepiece of the Albertina, Dürer’s famous Young Hare, is now once again accessible to an interested public in the context of this exhibit after a decade-long period of grace. The time span documented by the large-scale exhibit extends from 1738 to 1822: from the age of the courtly Baroque under Maria Theresia and the Enlightenment under Joseph II, through the premodern period and the years of the revolutions in America and Europe to the Biedermeier period of the Vormärz (the ye