Skip to main content

American Legends: From Calder to O’Keeffe



Thirteen early to mid-century American artists who forged distinctly modern styles are the subjects of American Legends: From Calder to O’Keeffe, through Oct 19, 2014 at the Whitney Museum of American Art. Drawing from the Whitney’s permanent collection, the year-long show features iconic as well as lesser known works by Alexander Calder, Stuart Davis, Burgoyne Diller, William Eggleston, Morris Graves, Edward Hopper, Jasper Johns, Ellsworth Kelly, Jacob Lawrence, Roy Lichtenstein, Elie Nadelman, Alice Neel, and Georgia O’Keeffe. One. Curator Barbara Haskell has organized the museum’s holdings of each of these artists’ work into small-scale retrospectives.

Many of the works included will be on view for the first time in years; others, such as Hopper’s A Woman in the Sun, Calder’s Circus, Jacob Lawrence’s War Series, and Georgia O’Keeffe’s Summer Days, are cornerstones of the Whitney’s collection.

For aspiring young painters and sculptors in America, traveling to Europe and assimilating European styles was considered integral to becoming a modern artist. By the turn of the twentieth century, with America’s emergence as an international power, the nation’s artists began to reassess their earlier dependence on Europe in favor of creating independent styles, inspired by American subjects and forms of expression. Two clear movements dominated art in the first half of the twentieth century: realism and modernism.

“Despite their seemingly antithetical styles and subject matter, the two groups shared a determination to portray their intense connection to American subjects,” Haskell explains. “Together, they charted a new direction in American art and, in the process, redefined the relationship between art and modern life.”

By featuring realists, such as Hopper and Burchfield, alongside modernists, such as Bluemner and Stella, American Legends: From Calder to O’Keeffe represents the vitality and diversity of early twentieth-century American art. The Whitney has a long and proud history of supporting this work, as evidenced by the depth of its holdings of the eighteen artists in this exhibition.


Images and Credits


Stuart Davis



Stuart Davis
Egg Beater No.1, 1927
Oil on canvas
29 3/16 x 36 3/16 in. (74.1 x 91.9 cm)
Gift of Gertrude Vanderbilt Whitney 31.169




Stuart Davis
Place Pasdeloup, 1928
Oil on canvas
36 3/8 x 29 in. (92.4 x 73.7 cm)
Gift of Gertrude Vanderbilt Whitney 31.170




Stuart Davis
Early American Landscape, 1925
Oil on canvas
19 3/16 x 22 3/16 in. (48.7 x 56.4 cm)
Gift of Juliana Force 31.1

Stuart Davis
House and Street, 1931
Oil on canvas
26 1/8 x 42 1/8 in. (66.4 x 107 cm)
Purchase 41.3



Stuart Davis
Owh! In San Paõ, 1951
Oil on canvas
52 3/16 x 42 in. (132.6 x 106.7 cm)
Purchase 52.2



Stuart Davis
The Paris Bit, 1959
Oil on canvas
46 1/8 x 60 1/16 in. (117.2 x 152.6 cm)
Purchase, with funds from the Friends of the Whitney
Museum of American Art 59.38a-b



William Eggleston







William Eggleston
Untitled (Bathroom with Pink Curtain, Cuba), 2007,
printed 2009
Inkjet print
22 x 28 in. (55.9 x 71.1 cm)
Purchase, with funds from Marcia Dunn and Jonathan
Sobel Foundation 2010.160



Morris Graves



Morris Graves
Flight of Plover, 1955
Oil on canvas mounted on composition board
36 1/8 x 48 1/8 in. (91.8 x 122.2 cm)
Purchase, with funds from Mr. and Mrs. Roy R.
Neuberger 56.4





Morris Graves
Bird in the Spirit, c. 1940-41
Opaque watercolor on paper
21 3/8 x 41 3/4 in. (54.3 x 106 cm)
Purchase, with funds from the Friends of the Whitney
Museum of American Art 59.9



Morris Graves
In the Night, 1943
Transparent and opaque watercolor on paper mounted
on board
26 1/8 x 38 1/4 in. (66.4 x 97.2 cm)
Gift of Mrs. Robert M. Benjamin 84.74


Edward Hopper

 


Edward Hopper
Early Sunday Morning, 1930
Oil on canvas
35 3/16 x 60 in. (89.4 x 152.4 cm)
Purchase, with funds from Gertrude Vanderbilt Whitney
31.426



Edward Hopper
Second Story Sunlight, 1960
Oil on canvas
40 3/16 x 50 1/8 in. (102.1 x 127.3 cm)
Purchase, with funds from the Friends of the Whitney
Museum of American Art 60.54



Edward Hopper
South Carolina Morning, 1955
Oil on canvas
30 3/8 x 40 1/4 in. (77.2 x 102.2 cm)
Given in memory of Otto L. Spaeth by his Family 67.13



Edward Hopper
Self-Portrait, 1925-1930
Oil on canvas
25 3/8 x 20 3/8 in. (64.5 x 51.8 cm)
Josephine N. Hopper Bequest 70.1165
On view May 2013 to Oct. 2014



Edward Hopper
Le Parc de Saint-Cloud, 1907
Oil on canvas
23 3/4 x 28 15/16 in. (60.3 x 73.5 cm)
Josephine N. Hopper Bequest 70.1180





Edward Hopper
Railroad Crossing, 1922-1923
Oil on canvas
29 7/16 x 40 1/16 in. (74.8 x 101.8 cm)
Josephine N. Hopper Bequest 70.1189



Edward Hopper
New York Interior, c. 1921
Oil on canvas
24 5/16 x 29 3/8 in. (61.8 x 74.6 cm)
Josephine N. Hopper Bequest 70.1200



Edward Hopper
Small Town Station, 1918-1920
Oil on canvas
26 1/4 x 38 5/16 in. (66.7 x 97.3 cm)
Josephine N. Hopper Bequest 70.1209


Jasper Johns



Jasper Johns
White Target, 1957
Encaustic and oil on canvas
30 x 30 in. (76.2 x 76.2 cm)
Purchase 71.211



Jasper Johns
Three Flags, 1958
Encaustic on canvas
30 5/8 x 45 1/2 x 4 5/8 in. (77.8 x 115.6 x 11.7 cm)
50th Anniversary Gift of the Gilman Foundation, Inc.,
The Lauder Foundation, A. Alfred Taubman, Laura-Lee
Whittier Woods, and purchase 80.32





Jasper Johns
Savarin Poster, 1977
Lithograph with graphite pencil, ballpoint pen, and wax
crayon
47 7/8 x 31 5/8 in. (121.6 x 80.3 cm)
Gift of the artist 2001.310.9



Jacob Lawrence

 



Jacob Lawrence
War Series: Prayer, 1947
Egg tempera on composition board
16 1/8 x 20 1/4 in. (41 x 51.4 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.6





Jacob Lawrence
War Series: Shipping Out, 1947
Egg tempera on composition board
20 1/4 x 16 1/16 in. (51.4 x 40.8 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.7




Jacob Lawrence
War Series: Another Patrol, 1946
Egg tempera on composition board
16 1/8 x 20 1/4 in. (41 x 51.4 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.8





Jacob Lawrence
War Series: Alert, 1947
Egg tempera on composition board
20 1/4 x 16 1/8 in. (51.4 x 41 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.9a-b





Jacob Lawrence
War Series: The Letter, 1946
Egg tempera on composition board
20 1/4 x 16 1/8 in. (51.4 x 41 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.11




Jacob Lawrence
War Series: Beachhead, 1947
Egg tempera on composition board
15 7/8 x 20 1/16 in. (40.3 x 51 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.13



Jacob Lawrence
War Series: Going Home, 1947
Egg tempera on composition board
16 1/8 x 20 3/16 in. (41 x 51.3 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.17a-b





Jacob Lawrence
War Series: Reported Missing, 1947
Egg tempera on composition board
15 7/8 x 20 1/16 in. (40.3 x 51 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.18





Jacob Lawrence
War Series: Victory, 1947
Egg tempera on composition board
20 1/4 x 16 3/16 in. (51.4 x 41.1 cm)
Gift of Mr. and Mrs. Roy R. Neuberger 51.19





Roy Lichtenstein


Roy Lichtenstein
Salute to Aviation, 1968
Screenprint
46 1/8 x 25 in. (117.2 x 63.5 cm)
Purchase 70.26





Roy Lichtenstein
Still Life with Crystal Bowl, 1972
Oil and acrylic on canvas
52 x 42 in. (132.1 x 106.7 cm)
Purchase, with funds from Frances and Sydney Lewis
77.64










Roy Lichtenstein
Bathroom, 1961
Oil on canvas
45 3/4 x 69 3/8 in. (116.2 x 176.2 cm)
Gift of The American Contemporary Art Foundation,
Inc., Leonard A. Lauder, President 2002.253


On viewRoy Lichtenstein, Girl in Window (Study for World’s Fair Mural), 1963  2002.254  


Roy Lichtenstein
Girl in Window (Study for World’s Fair Mural), 1963
Oil and acrylic on canvas
68 1/8 x 56 in. (173 x 142.2 cm)
Gift of The American Contemporary Art Foundation,
Inc., Leonard A. Lauder, President 2002.254


Alice Neel



Alice Neel
The Soyer Brothers, 1973
Oil on canvas
59 15/16 x 46 3/16 in. (152.2 x 117.3 cm)
Purchase, with funds from Arthur M. Bullowa, Sydney
Duffy, Stewart R. Mott and Edward Rosenthal 74.77





Alice Neel
John Perreault, 1972
Oil on linen
38 x 63 7/8 in. (96.5 x 162.2 cm)
Gift of anonymous donors 76.26





Alice Neel
Andy Warhol, 1970
Oil and acrylic on linen
60 x 40 in. (152.4 x 101.6 cm)
Gift of Timothy Collins 80.52



Alice Neel
Pat Whalen, 1935
Oil, ink, and newspaper on canvas
27 1/8 x 23 1/8 in. (68.9 x 58.7 cm)
Gift of Dr. Hartley Neel 81.12



Alice Neel
Blanche Angel Pregnant, 1937
Pastel on paper
26 x 20 1/2 in. (66 x 52.1 cm)
Purchase, with funds from the Drawing Committee
87.53




Georgia O’Keeffe

 


Georgia O’Keeffe
The Mountain, New Mexico, 1931
Oil on canvas
30 1/16 x 36 1/8 in. (76.4 x 91.8 cm)
Purchase 32.14





Georgia O’Keeffe
The White Calico Flower, 1931
Oil on canvas
30 3/16 x 36 3/16 in. (76.7 x 91.9 cm)
Purchase 32.26



Georgia O’Keeffe
Abstraction, 1926
Oil on canvas
30 3/16 x 18 1/4 in. (76.7 x 46.4 cm)
Purchase 58.43





Georgia O’Keeffe
It Was Blue and Green, 1960
Oil on linen
30 1/8 x 40 in. (76.5 x 101.6 cm)
Lawrence H. Bloedel Bequest 77.1.37





Georgia O’Keeffe
Black and White, 1930
Oil on canvas
36 x 24 1/8 in. (91.4 x 61.3 cm)
50th Anniversary Gift of Mr. and Mrs. R. Crosby Kemper
81.9





Georgia O’Keeffe
Flower Abstraction, 1924
Oil on canvas
48 1/8 x 30 in. (122.2 x 76.2 cm)
50th Anniversary Gift of Sandra Payson 85.47


















Georgia O’Keeffe
Music—Pink and Blue II, 1919
Oil on canvas
35 x 29 15/16 in. (88.9 x 76 cm)
Gift of Emily Fisher Landau in honor of Tom Armstrong
91.90



Georgia O’Keeffe
Summer Days, 1936
Oil on canvas
36 1/8 x 30 1/8 in. (91.8 x 76.5 cm)
Gift of Calvin Klein 94.171






Comments

Popular posts from this blog

(Sức khỏe mỗi ngày) Một số loại nước uống dân gian giúp `đánh bay ` sỏi đường tiết niệu

Tại sao bị sỏi đường tiết niệu? Quá trình hình thành sỏi đường tiết niệu rất phức tạp, do nhiều yếu tố gây ra. Hòn sỏi có một cấu trúc đặc thù gồm 2 yếu tố: - Chất mucoprotein có tác dụng như chất keo kết dính các tinh thể với nhau để tạo sỏi. - Các tinh thể của các chất bình thường được hòa tan trong nước tiểu, chủ yếu là calci và oxalate, ngoài ra còn có phosphate, magne, urat, cystine. Khi nước tiểu bị cô đặc quá mức hoặc khi pH nước tiểu thay đổi thì các chất hòa tan trong nước tiểu sẽ kết tinh lại thành các tinh thể, và các tinh thể sẽ bị loại trừ theo dòng nước tiểu, cần phải có chất mucoprotein thì các tinh thể mới liên kết được với nhau để tạo ra hòn sỏi. Nhiễm trùng tiết niệu dễ gây kết tụ sỏi. Những bất thường ở đường tiết niệu làm chậm hoặc bế tắc dòng nước tiểu dễ gây kết tụ sỏi.

(Sức khỏe mỗi ngày) Cách phòng ngừa bệnh cúm hiệu quả trong mùa xuân

Theo Cục Y tế dự phòng, Bộ Y tế, cúm mùa là căn bệnh truyền nhiễm cấp tính với các triệu chứng đặc trưng là sốt, đau đầu, đau cơ, mệt mỏi, sổ mũi, đau họng và ho. Tỉ lệ người mắc bệnh cúm có xu hướng gia tăng vào mùa đông và mùa xuân. Để chủ động phòng chống dịch cúm mùa, mới đây Bộ Y tế đã ra chỉ thị khuyến cáo người dân cần thực hiện tốt các nội dung sau: 1. Đảm bảo vệ sinh cá nhân, che miệng khi hắt hơi, thường xuyên rửa tay với xà phòng, vệ sinh mũi, họng hàng ngày bằng nước muối. 2. Giữ ấm cơ thể, ăn uống đủ chất để nâng cao thể trạng. 3. Tiêm vắc xin cúm mùa để phòng bệnh. 4. Hạn chế tiếp xúc với bệnh nhân cúm hoặc các trường hợp nghi ngờ mắc bệnh khi không cần thiết. 5. Khi có triệu chứng ho, sốt, sổ mũi, đau đầu, mệt mỏi cần đến ngay cơ sở y tế để được khám, xử trí kịp thời.

MEN IN ARMOR: EL GRECO AND PULZONE FACE TO FACE At The Frick

August 5 through October 26, 2014    El Greco (1541–1614) Vincenzo Anastagi, c. 1575 Oil on canvas 74 x 49 ⅞ inches The Frick Collection, New York Photo: Michael Bodycomb  El Greco’s Vincenzo Anastagi , acquired a century ago by Henry Clay Frick, is one of The Frick Collection’s most celebrated paintings and one of only two full-length portraits by the master. It was executed during the artist’s six-year stay in Rome, before he moved to Spain, where he spent the rest of his career. Much of the force of this work emanates from the resplendent half-armor worn by Anastagi. Rich highlights applied with broad brushstrokes accentuate the steel, its metallic sheen contrasting with the velvety texture of Anastagi’s green breeches and the dark crimson curtain.    Scipione Pulzone (c. 1540/42–98) Jacopo Boncompagni, 1574 Oil on canvas 48 x 39 ⅛ inches Private collection, courtesy of Jean-Luc Baroni Ltd. Photo: Michael Bodycomb  To mark the 400th anniversary of ...